The exterior decorations of the Taj Mahal are among the finest in Mughal architecture
Exterior decoration – As the surface area changes the decorations are refined proportionally. The decorative elements were created by applying paint, stucco, stone inlays, or carvings. In line with the Islamic prohibition against the use of anthropomorphic forms, the decorative elements can be grouped into either calligraphy, abstract forms or vegetative motifs.
The calligraphy on the Great Gate reads “O Soul, thou art at rest. Return to the Lord at peace with Him, and He at peace with you.” The calligraphy was created by a calligrapher named Abd ul-Haq, in 1609. Shah Jahan conferred the title of “Amanat Khan” upon him as a reward for his “dazzling virtuosity”. Near the lines from the Qur’an at the base of the interior dome is the inscription, “Written by the insignificant being, Amanat Khan Shirazi.” Much of the calligraphy is composed of florid thuluth script, made of jasper or black marble, inlaid in white marble panels. Higher panels are written in slightly larger script to reduce the skewing effect when viewed from below. The calligraphy found on the marble cenotaphs in the tomb is particularly detailed and delicate.
Abstract forms are used throughout, especially in the plinth, minarets, gateway, mosque, jawab and, to a lesser extent, on the surfaces of the tomb. The domes and vaults of the sandstone buildings are worked with tracery of incised painting to create elaborate geometric forms. Herringbone inlays define the space between many of the adjoining elements. White inlays are used in sandstone buildings, and dark or black inlays on the white marbles. Mortared areas of the marble buildings have been stained or painted in a contrasting colour, creating geometric patterns of considerable complexity. Floors and walkways use contrasting tiles or blocks in tessellation patterns.
On the lower walls of the tomb there are white marble dados that have been sculpted with realistic bas relief depictions of flowers and vines. The marble has been polished to emphasise the exquisite detailing of the carvings and the dado frames and archway spandrels have been decorated with pietra dura inlays of highly stylised, almost geometric vines, flowers and fruits. The inlay stones are of yellow marble, jasper and jade, polished and levelled to the surface of the walls.
Interior decoration – The interior chamber of the Taj Mahal steps far beyond traditional decorative elements. Here, the inlay work is not pietra dura, but a lapidary of precious and semiprecious gemstones. The inner chamber is an octagon with the design allowing for entry from each face, although only the door facing the garden to the south is used.
The interior walls are about 25 metres (82 ft) high and are topped by a “false” interior dome decorated with a sun motif. Eight pishtaq arches define the space at ground level and, as with the exterior, each lower pishtaq is crowned by a second pishtaq about midway up the wall. The four central upper arches form balconies or viewing areas, and each balcony’s exterior window has an intricate screen or jali cut from marble. In addition to the light from the balcony screens, light enters through roof openings covered by chattris at the corners. Each chamber wall has been highly decorated with dado bas-relief, intricate lapidary inlay and refined calligraphy panels, reflecting in miniature detail the design elements seen throughout the exterior of the complex.
The octagonal marble screen or jali which borders the cenotaphs is made from eight marble panels which have been carved through with intricate pierce work. The remaining surfaces have been inlaid in extremely delicate detail with semi-precious stones forming twining vines, fruits and flowers.
Muslim tradition forbids elaborate decoration of graves. Hence, the bodies of Mumtaz and Shah Jahan were put in a relatively plain crypt beneath the inner chamber with their faces turned right and towards Mecca. Mumtaz Mahal’s cenotaph is placed at the precise centre of the inner chamber on a rectangular marble base of 1.5 by 2.5 metres (4 ft 11 in by 8 ft 2 in).
Both the base and casket are elaborately inlaid with precious and semiprecious gems. Calligraphic inscriptions on the casket identify and praise Mumtaz. On the lid of the casket is a raised rectangular lozenge meant to suggest a writing tablet. Shah Jahan’s cenotaph is beside Mumtaz’s to the western side, and is the only visible asymmetric element in the entire complex. His cenotaph is bigger than his wife’s, but reflects the same elements: a larger casket on a slightly taller base, again decorated with astonishing precision with lapidary and calligraphy that identifies him. On the lid of this casket is a traditional sculpture of a small pen box.
The pen box and writing tablet were traditional Mughal funerary icons decorating the caskets of men and women respectively. The Ninety Nine Names of God are found as calligraphic inscriptions on the sides of the actual tomb of Mumtaz Mahal, in the crypt including “O Noble, O Magnificent, O Majestic, O Unique, O Eternal, O Glorious… “. The tomb of Shah Jahan bears a calligraphic inscription that reads; “He travelled from this world to the banquet-hall of Eternity on the night of the twenty-sixth of the month of Rajab, in the year 1076 Hijri.”
Garden – The complex is set around a large 300-metre (980 ft) square charbagh or Mughal garden. The garden uses raised pathways that divide each of the four quarters of the garden into 16 sunkenparterres or flowerbeds. A raised marble water tank at the center of the garden, halfway between the tomb and gateway with a reflecting pool on a north-south axis, reflects the image of the mausoleum. The raised marble water tank is called al Hawd al-Kawthar, in reference to the “Tank of Abundance” promised to Muhammad.
Elsewhere, the garden is laid out with avenues of trees and fountains. The charbagh garden, a design inspired by Persian gardens, was introduced to India by the first Mughal emperor, Babur. It symbolises the four flowing rivers of Jannah (Paradise) and reflects the Paradise garden derived from the Persian paridaeza, meaning ‘walled garden’. In mystic Islamic texts of Mughal period, Paradise is described as an ideal garden of abundance with four rivers flowing from a central spring or mountain, separating the garden into north, west, south and east.
Most Mughal charbaghs are rectangular with a tomb or pavilion in the center. The Taj Mahal garden is unusual in that the main element, the tomb, is located at the end of the garden. With the discovery of Mahtab Bagh or “Moonlight Garden” on the other side of the Yamuna, the interpretation of the Archaeological Survey of India is that the Yamuna river itself was incorporated into the garden’s design and was meant to be seen as one of the rivers of Paradise. The similarity in layout of the garden and its architectural features with the Shalimar Gardens suggest that they may have been designed by the same architect, Ali Mardan. Early accounts of the garden describe its profusion of vegetation, including abundant roses, daffodils, and fruit trees. As the Mughal Empire declined, the tending of the garden also declined, and when the British took over the management of Taj Mahal during the time of the British Empire, they changed the landscaping to resemble that of lawns of London.
Outlying buildings – The Taj Mahal complex is bounded on three sides by crenellated red sandstone walls, with the river-facing side left open. Outside the walls are several additional mausoleums, including those of Shah Jahan’s other wives, and a larger tomb for Mumtaz’s favourite servant. These structures, composed primarily of red sandstone, are typical of the smaller Mughal tombs of the era. The garden-facing inner sides of the wall are fronted by columned arcades, a feature typical of Hindu temples which was later incorporated into Mughal mosques. The wall is interspersed with domed chattris, and small buildings that may have been viewing areas or watch towers like the Music House, which is now used as a museum.
The main gateway (darwaza) is a monumental structure built primarily of marble which is reminiscent of Mughal architecture of earlier emperors. Its archways mirror the shape of tomb’s archways, and its pishtaq arches incorporate the calligraphy that decorates the tomb. It utilises bas-relief and pietra dura inlaid decorations with floral motifs. The vaulted ceilings and walls have elaborate geometric designs, like those found in the other sandstone buildings of the complex.
At the far end of the complex, there are two grand red sandstone buildings that face the sides of the tomb. Their backs parallel the western and eastern walls, and the two buildings are precise mirror images of each other. The western building is a mosque and the other is the jawab (answer), whose primary purpose was architectural balance, although it may have been used as a guesthouse. The distinctions between these two buildings include the lack of mihrab (a niche in a mosque’s wall facing Mecca) in the jawab and that the floors of jawab have a geometric design, while the mosque floor was laid with outlines of 569 prayer rugs in black marble. The mosque’s basic design of a long hall surmounted by three domes is similar to others built by Shah Jahan, particularly to hisMasjid-Jahan Numa, or Jama Masjid, Delhi. The Mughal mosques of this period divide the sanctuary hall into three areas, with a main sanctuary and slightly smaller sanctuaries on either side. At the Taj Mahal, each sanctuary opens onto an enormous vaulting dome. These outlying buildings were completed in 1643.
Agra’s top two sights by far are the incomparable Taj Mahal and Agra Fort. When planning your sightseeing, take heed of the convoluted entry fee system: for Taj Mahal, Agra Fort, Itmud-ad-Daulah, Sikandra and Fatehpur Sikri, you must pay a ₹500 levy to the Agra Development Authority in addition to the prices mentioned below. Once paid, the levy is valid for all sights, but only for one day.
Prices are: Rs 750 (for foreigners) for Taj Mahal (250 entrance + 500 levy) and ₹300 for Agra Fort (250 entrance + 50 levy). One gets ₹50 discount when presenting ticket for Taj Mahal at Agra Fort. The Taj Mahal entry fee also includes a 500mL bottle of water and shoe covers. Make sure you pick them up when you buy your ticket. For Indians, its Rs 20.
Official guides are available for Agra for INR 900 (approx US$ 20) for a half day (including Taj Mahal & Agra Fort). Contact your hotel for details. Any guide that charges less than that is probably an unlicensed tout. Most unlicensed touts have fake IDs and focus more on taking you shopping rather than on presenting accurate information.
Audio Guides, the Archaeological Survey of India introduced an official self guided audio tour facility of international standards for visitors. The tour allows visitors to experience the Taj Mahal and Agra Fort at their own pace, with authentic and factually accurate information. Visitors may avail of the audio guide facility from the official audio guide booth near the monument ticket counters. Prices for audio guide services are ₹105 (approx US$ 2) in English & Foreign Languages (currently French, Spanish, Italian, German) or ₹63 in Hindi & Indian Languages.
Reviews for the audio guides have been very positive on Tripadvisor and other travel websites and this is the recommended way to see the two Agra monuments. Recently, smartphone application and iPod tours have become available, including the official Taj Mahal app offered by AudioCompass – the same company that provides the audio guides.
Official Smartphone App Recently, a plethora of smartphone apps have become available that help visitors tour the monuments. The Archaeological Survey of India offers perhaps the most detailed and extensive one through AudioCompass called Official Taj Mahal (for iOS and Android). A similar app called Official Agra Fort is also offered for the Agra Fort and is available (for iOS and Android).
Rules and Regulations at the Taj Mahal
Security is tight and rules and regulations are very important and must be followed at the Taj Mahal. There are many rules to be followed at the premises of the monument to maintain the holiness of the monument and other rules are mostly for the maintainance and protection of the monument. Remaining rules and regulations are to be followed for the protection of all the tourists visiting the Taj Mahal.
• Arms, ammunition, fire, smoking items, tobacco products, liquor, food, chewing gum, knives, wire, mobile charger, electric goods (except video cameras, photography cameras and similar consumer electronic products like MP3 players, iPhones, Smartphones etc and music players) are prohibited inside the Taj Mahal complex. Leave these in the hotel or in your driver’s car. Avoid carrying a bag altogether if you can as the bag scanning process is cumbersome.
• Playing cards, games, dice, etc. may be prohibited depending on the guard.
• Mobile Phones are allowed. They don’t really seem to enforce this with camera phones.
• Eating and smoking is strictly prohibited inside the Taj Mahal complex.
• Lockers are available at the gates to keep your belongings (of course, at your own risk).
• Avoid carrying big bags and books inside the monument as this may increase your security check time.
• Video camera (handicam) is allowed up to the red sand stone platform at the main entrance gate of the Taj Mahal complex. There is a charge of 25 Rupees per video camera.
• Photography is prohibited inside the main mausoleum, and visitors are requested not to make noise inside the mausoleum.
• Tourists must co-operate in keeping the monument neat and clean by making use of dustbins.
• Avoid touching and scratching the walls and surfaces of the monument as these are old heritage sites that need special care.
• Tourists are advised to hire official audio guides available at the ASI ticket counter or to use only pre-arranged approved guides. Pre-arranged approved guides charge Rs. 900 and the audio guide costs Rs. 100 + taxes Warning – touts regularly exhibit fake identity cards. Some will try to convince you that a guide is included in the ticket price (it’s not) – ignore them and walk away.
• Tourists are allowed to carry a water bottle inside the monument. Shoe covers, 1/2 litre water bottle and Tourist Guide Map of Agra are provided free of cost with the foreigner’s entry ticket for the Taj Mahal. After getting your ticket, proceed to the side of the ticket window to collect your water and shoe covers.
• Wheelchairs for disabled persons and First Aid Boxes are available at A.S.I. Office inside the Taj Mahal complex. A refundable charge of ₹1000 is to be deposited as security before wheelchairs are made available for the disabled.
• All the above mentioned items along with the mobile phones are banned for the night viewing of the Taj Mahal.
• Video cameras are permitted after the security check during night viewing of the Taj Mahal, though extra batteries are prohibited.
• Remember that the Taj Mahal is a religious site and it is best to dress conservatively when visiting the Taj Mahal complex, not only because the Taj Mahal itself is a mausoleum, but also because there are mosques inside the Taj Mahal complex, if you wish to visit them as well.
Please note that the Taj Mahal is closed every Friday.
The Taj Mahal • Locations & Activities